Celebrating the majesty of the London 2012 Olympics logo

It has been mocked by many, especially creatives, but graphic designer Joe Stone believes it’s a triumph of logo design. But why?!

2012 London Olympics logo

It’s been mocked and satirised, turned into cubist sexual cartoon imagery and had petitions against it, but designer Joe Stone beleives that the London 2012 Olympics logo is a fantastic piece of branding that has got everything right. Here he explains why …

Joe Stone on the majesty of the 2012 Olympics logo

Joe Stone
Joe Stone

Ever since it debuted back in 2007 people have been talking about the logo whether they love it or hate it, and while there are still plenty of negative reactions to this day, it’s stayed in the limelight for five years and remains instantly recognisable. People love to hate and insult it – after all, we all know that British public love to complain – but, negative comments or not, it remains impossible to ignore. I think the divisive nature of the logo had to be intentional to draw attention to something that could have ended up looking incredibly dull had the designers gone down the obvious route of previous Olympics logos.

Almost every other Olympics logo I can think of compromises the five rings and a colourful swoosh. The fact that Wolff Olins were so bold as to go in such an utterly different direction immediately makes it stand out amongst the group of otherwise dull and samey icons. The brilliant use of the CMYK-inspired colour scheme also goes against the tradition of using the host nation’s colours, saving us from yet another lame use of the Union Jack plastered across a brand identity.

Saving us from yet another lame use of the Union Jack.

There is nothing wrong in the slightest with being proud of ones nation or heritage, but to do something that stands out as much as this logo does is such a brave and exciting development that really helps to push the expectations of future Olympics branding forward into fantastic new directions, and can only enhance Britain’s standing and importance in the design world.

The most common complaint I’ve heard amongst the design community is that it simply doesn’t look very nice. It’s obviously a very subjective matter in the first place, but more importantly I don’t think that’s what the designers were going for. The logo isn’t representing the Olympic games, it represents London as the venue for them, and frankly ‘nice’ is too weak a word to describe our bustling capital. It’s an edgy city. It’s a cool city. It’s cultural and busy and exciting and forward thinking, and a flaccid adjective like ‘nice’ doesn’t summarise it at all.

It’s a cool city. It’s cultural and busy and exciting and forward thinking.

Some people think the logo is downright ugly, but London itself was never designed to be aesthetically pleasing. It’s a mesh of organically grown streets full of different styles and cultures. It’s not an ugly city by any means, but it’s not ‘pretty’. I think the logo with it’s sharp angles, strong shapes, defined edges and bright colours does a great job of representing the actual traits of London.

I see it as a bold, unique and forward thinking logo, which has been applied across the identity in exciting and engaging ways that are impossible to ignore. It does everything that a good identity should do, and it does them well. A triumph, whether you like it or not.

Published first on www.creativebloq.com.

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